Visiting Artists Program (VAP) Resource Guides

Art Spiegelman has almost single-handedly brought comic books out of the toy closet and onto the literature shelves. In 1992, he won the Pulitzer Prize for his masterful Holocaust narrative Maus—which portrayed Jews as mice and Nazis as cats. Maus II continued the remarkable story of his parents’ survival of the Nazi regime and their lives later in America. Spiegelman believes that in our post-literate culture, the importance of the comic is on the rise, for “comics echo the way the brain works. People think in iconographic images, not in holograms, and people think in bursts of language, not in paragraphs.” 

Having rejected his parents’ aspirations for him to become a dentist, Spiegelman studied cartooning in high school and began drawing professionally at age 16. He studied art and philosophy at Harpur College before becoming part of the underground comix subculture of the ‘60s and ‘70s. As creative consultant for Topps Bubble Gum Co., Spiegelman created Wacky Packages, Garbage Pail Kids, and other novelty items and taught history and aesthetics of comics at the School for Visual Arts in New York.

Spiegelman co-founded RAW, the acclaimed avant-garde comics magazine, with his wife, Françoise Mouly. (Maus was originally serialized in the pages of RAW.) He and Mouly also co-edited Little Lit, a series of three comics anthologies for children published by HarperCollins (“Comics: They’re not just for Grown-ups Anymore”). He and Mouly started Toon Books, publishing easy to read comics for children. They co-edited the anthology A Toon Treasury of Classic Children’s Comics, published by Abrams. 

Spiegelman’s anthology Breakdowns, includes an autobiographical introduction almost as long as the book itself, entitled Portrait of the Artist as a Young %@&*!. McSweeney’s published a collection of three of his sketchbooks entitled Be a Nose. His work has been published in many periodicals, including The New Yorker, where he was a staff artist and writer from 1993–2003. He also illustrated the 1928 lost classic The Wild Party by Joseph Moncure March. In 2004, he completed In the Shadow of No Towers, a masterful and moving account of the events and aftermath of September 11. It was a national bestseller and was selected by The New York Times Book Review as one of the 100 Notable Books of 2004. 

Maus was called “the first masterpiece in comic book history” by The New Yorker. It has received several awards including the Pulitzer Prize, the Angoulême International Comics Festival Best Foreign Album Award, the Eisner Award, and the Los Angeles Times Book Prize for Fiction. In 2009, it was chosen by the Young Adult Library Association as one of its recommended titles for all students. In 2020, the New York Public Library voted Maus: A Survivor’s Tale one of the 125 most important books of the last 125 years. It was chosen by the Chicago Public Library for One Book, One Chicago 2022 to celebrate the theme “Freedom To Read.” Spiegelman wrote MetaMaus, a companion to The Complete Maus, about why he wrote Maus. MetaMaus was awarded the 2011 National Jewish Book Award and a 2012 Eisner Award. A book titled Maus Now edited by Hillary Chute with essays from 21 leading critics, authors, and academics on the radical achievement and innovation of Maus was published by Pantheon. 

Spiegelman’s project, WORDLESS!, a multimedia look at the history of the graphic novel, had its world premiere at the Sydney Opera House and its US premiere at the Brooklyn Academy of Music. His collaborations include The Ghosts of Ellis Island with renowned French artist JR and Street Cop with Robert Coover. Spiegelman is the editor of Si Lewen’s Parade: An Artist’s Odyssey and has curated shows based on Lewen’s work at the Musée d'Art et d’Histoire du Judaïsme in Paris and the James Cohan Gallery in New York City. 

A major exhibition of his work was arranged by the Los Angeles Museum of Contemporary Art as part of the 15 Masters of 20th Century Comics exhibit. Spiegelman was named one of Time Magazine’s 100 Most Influential People, and he is also a laureate of the Art Director’s Club Hall of Fame. He was made an Officier de l’Ordre des Arts et des Lettres in France and—the American equivalent—played himself on an episode of The Simpsons. 

In 2011, Spiegelman won the Grand Prix at the Angoulême International Comics Festival. A museum show, Art Spiegelman’s Co-Mix: A Retrospective, traveled Europe, Canada, and the US. The accompanying book is CO-MIX: A Retrospective of Comics, Graphics, and Scraps. He was elected a member of the American Academy of Arts and Letters and received the Edward MacDowell Medal, the first-ever given in comic art. Spiegelman was awarded the 2022 Medal for Distinguished Contribution to American Letters from the National Book Foundation. A documentary directed by Molly Bernstein and Philip Dolin titled Art Spiegelman: Disaster is My Muse! was released theatrically and on PBS American Masters in 2025.

Mark Pascale has been active in the Chicago art world for over 40 years as a curator, researcher, and professor. Currently, he is the Janet and Craig Duchossois Curator, Prints and Drawings at the Art Institute of Chicago and concurrently senior lecturer in Print Media at the School of the Art Institute of Chicago. His recent contributions to the field include the exhibitions and catalog essays for Hairy Who? 1966–1969; Charles White; Along the Lines: Selected Drawings by Saul Steinburg; Martin Puryear: Multiple Dimensions; Contemporary Drawings from the Irving Stenn Jr. Collection; Jasper Johns: Gray; Force of a Dream: The Drawings of Joseph Yoakum; Joseph E. Yoakum: What I Saw; Lygia Pape: Tecelares, and Christina Ramberg: A Retrospective, published by and exhibited at the Art Institute of Chicago. Currently, he is working on exhibitions focused on the work of Beatriz González and Gladys Nilsson and Jim Nutt.

Presented on the occasion of SAIC's new Master of Fine Arts in Studio, Comics program, an innovative, interdisciplinary pathway designed for aspiring comic artists.

Art Spiegelman. Photo: Enno Kapitza - Agentur Focus
Mark Pascale

How Art Spiegelman and “Maus” embrace the pain of the past
Simon Wu | PBS | May 6, 2025

Eight key works by Art Spiegelman
Holley Snaith | PBS | April 15, 2025

Review: Art Spiegelman documentary ‘Disaster Is My Muse’ draws a complete picture of the ‘Maus’ creator
Bob Strauss | Datebook: San Francisco Chronicle | April 14, 2025

Art Spiegelman Is “Learning How to Do This Comics Thing Again”
Dan Schindel | Hyperallergic | March 12, 2025

“I Can’t Go On, I Must Go On”
Joe Sacco and Art Spiegelman, interviewed by Will Simpson | The New York Review | March 8, 2025

Art Spiegelman and the Inescapable Shadow of Fascism
Jeet Heer | The Nation | March 3, 2025

Art Spiegelman Won’t Shrink Back From Controversy
David D’Arcy | Hyperallergic | December 11, 2024

Art Spiegelman on Life With a ‘500-Pound Mouse Chasing Me’
Alexandra Alter | The New York Times | December 28, 2022
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Another Round for “Don’t Get Around Much Anymore”
Françoise Mouly and Art Spiegelman | The New Yorker | November 12, 2022

Art Spiegelman Loses His Glasses
Abraham Josephine Riesman | Vulture: New York Magazine | February 14, 2022

How Art Spiegelman got involved in the world of underground comix
American Masters, PBS | April 15, 2025 | Runtime 1:39

An Interview with Art Spiegelman, Author of Maus
WTTW, PBS | August 31, 2022 | Runtime 20:03

'Maus' author Art Spiegelman on book banning
WBUR | September 25, 2023 | Runtime 9:39

Art Spiegelman biography and career timeline
American Masters | PBS | March 28, 2025

Visiting Artists Program Lecture Recordings from the Archive
SAIC Visiting Artists Program video and audio lecture recordings (1977–present.) Available with SAIC login credentials.

SAIC Digital Collections: Visiting Artists Program
SAIC Visiting Artists Program publicity archive and audio recordings (1977–98).